When Madeline enters the room, the “taper,” or candle is blown out and she closes the door. All of the treats that be brought with him are then “heaped” into baskets and decorated with “silver.” The light of the moon reflects off of his decorations, increasing the light within the small space. there’s dwarfish Hildebrand; Blinded alike from sunshine and from rain, As are the tiger-moth’s deep-damask’d wings; And in the midst, ‘mong thousand heraldries. And ‘tween the curtains peep’d, where, lo!—how fast she slept. “It shall be as thou wishest,” said the Dame: “All cates and dainties shall be stored there, Quickly on this feast-night: by the tambour frame. This man may or may not have been paid for his service of praying for the household to which he is bound. Sudden a thought came like a full-blown rose, Designed for students following AQA English Literature B. She danc’d along with vague, regardless eyes, I. St. Agnes' Eve — Ah, bitter chill it was! Its little smoke, in pallid moonshine, died: She clos’d the door, she panted, all akin, As though a tongueless nightingale should swell. He hopes that she will share with him all her secrets so that he may find his beloved. And all night kept awake, for sinners’ sake to grieve. She was then burned at the stake and then beheaded. Thy voice was at sweet tremble in mine ear, Or I shall drowse beside thee, so my soul doth ache.”. Even to Madeline’s chamber, and there hide get hence! Behind a broad hall-pillar, far beyond O for some drowsy Morphean amulet! Legend had it that on the Eve of St. Agnes (which occurs in January), various kinds of spells and magic Since Merlin paid his Demon all the monstrous debt. She is in the process of undressing and does not know she is being observed from within the room. She is frantic, telling him that he needs to hide quickly as all those that would wish to do him harm are there tonight. Against the window-panes; St Agnes’ moon hath set. And pale enchantment held her sleepy-eyed. great difficult7 were he to attempt to She knelt, so pure a thing, so free from mortal taint. Out went the taper as she hurried in; This poem is taken as one of the finest and the most prominent in the 19th century literature. Happily for Porphyro, he stumbles upon the old woman as soon as he enters the home. And ‘tween the curtains peep’d, where, lo!—how fast she slept! Awakening up, he took her hollow lute,— This very night: good angels her deceive! Soon, up aloft, A Beadsman, a professional man of prayer, is freezing in his church. And moan forth witless words with many a sigh; While still her gaze on Porphyro would keep; Who knelt, with joined hands and piteous eye. Made tuneable with every sweetest vow; The Eve of St. Agnes Stanzas XXVIII-XXXII Fernando Salazar and Jake Murphy Stanza XXIX Analysis of XXVIII Analysis of XXIX Allusions and Symbols Summary Stanza XXVIII In line 5, Morphean refers to the god of sleep. Speaking of her beloved, here he comes: Porphyro is Madeline's secret boyfriend and a member of the family that has a blood feud with her own. She will be stuck in her grave “among the dead” for the rest of eternity. A shielded scutcheon blush’d with blood of queens and kings. From fright of dim espial. There is one in the castle that he can trust though, as she is “weak in body and in soul.”. They are impossible to count, like shadows. And all his warrior-guests, with shade and form how pallid, chill, and drear! The Eve of St Agnes is a narrative poem that represents a relationship between Madeline and Porphyro who come from two rivalling families. But dares not look behind, or all the charm is fled. What's your thoughts? From wicked men like thee. So mus’d awhile, entoil’d in woofed phantasies. This transition from her dream world to reality is painful and she regrets losing the purity of her dreams. Upon his knees he sank, pale as smooth-sculptured stone. The Beadsman, after thousand aves told, and woe is mine! With hair blown back, and wings put cross-wise on their breasts. Soon, trembling in her soft and chilly nest, But let me laugh awhile, I’ve mickle time to grieve.”. Pale, lattic’d, chill, and silent as a tomb. He continues to address the old woman asking her why she would speak like this to such a “feeble soul.” He turns the tide on her and calls her a “weak, palsy-stricken…thing” and then praises her for never in her life missing a prayer. A table, and, half anguish’d, threw thereon She does not yet have her wings but she is “so pure” and “free from mortal taint.” This idealized vision of a woman is common within Keats’ writing and the work of Romantic poets in general. There are apples, plums, and syrups, all imported from all over the world. He refers to them as “barbarians” and “hot-blooded lords” that hold his lineage against him. It is horribly cold outside. The owl, for all his feathers, was a-cold; … She is distant and dreamy. A poor, weak, palsy-stricken, churchyard thing, And all the bliss to be before to-morrow morn. The maiden’s chamber, silken, hush’d, and chaste; Where Porphyro took covert, pleas’d amain. Whose very dogs would execrations howl And back retir’d; not cool’d by high disdain. 8 ... 23 Stanza 5 notes Sense of bustle and movement 24 "These let us wish away, / And turn, sole-thoughted, to one Lady there" Go, go!—I deem Porphyro is finally given an opportunity to answer Angela’s insults and says that he would never  “harm her” and swears on “all [the] saints.” He states, strongly and without reservation, that he would not disrupt one hair on her head, or look with anger on her face. Emphasizing this picture of the house as being deserted, Madeline and Porphyro are described a being “like phantoms” that float through the wide hallways and pass the bloodhound owned by the “Porter.”. 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